Hi all,
I've managed to do another pen this week and rather than just show it
to you, I thought it might be useful if I talked a little bit about how
I do it. It might not be the best way or the only way, but it is my way
and it works for me.
I have been doing pyrography for
about 8 years and I have discovered a few things that might be helpful
to those who are interested in this sort of artwork, regardless of the
item upon which they are doing the pyrography. It might be a pen, a bowl
or any other item made of wood or leather.
There are
two main issues when it comes to pyrography, that is if you want to do
any sort of detailed work. If you want to create stuff that looks like
it has been in the fire of London, that's fine, get yourself a blow
torch. However, if you want control over your light and dark areas you
will need a decent pyrography machine. By that I mean machines like a
Razer Tip or a Peter Child Machine.
I started off with
one of those cheap sub £20 jobbies that has the branding iron type
tips, you know the one, it looks like a soldering iron on steroids.
However, it didn't take me long to discover that I if I wanted to do
finer work with some consistency then I needed something better. I
purchased a Peter Child machine and I have used that ever since.
Here is my latest pen.
It
has an overlapping banding design that would be very difficult to do if
I used the cheap pyrography iron. In fact, I think it would be almost
impossible.
The reason for this is two fold. Firstly,
the cheaper pyrography irons do not have any temperature control, which
means that it is easy to get over-burn. Over-burn is simply when the
heat from the pyrography iron does not actually burn, but discolours the
lighter wood that you are trying to preserve. If you look at the pen
above, it would be difficult to get sharp lines with a cheap pyrography
iron.
The second issue is the size of the tips that
comes with a bottom of the range pyrography iron. They are just to big
to allow burning with any sort of finesse. I use a spoon tip for almost
all of my work with my Peter Child machine because I find that it gives
me more control.
Above,
you can see the two main types of tip for a Peter Child machine. I use
the one on the left because it allows me to use the back of the spoon
for shading and the edge if the spoon for drawing fine lines. It really
is very versatile. However, don't get thinking that the Peter Child
machine is restricted to these two types of tip because it isn't. These
wonderful tips below, although not specifically made for a Peter Child
machine, will work with it quite happily. One has to be careful though
with tips because one can finish up buying tip after tip when most
effects can be achieved with a spoon tip.
Here is picture of the pen I showed last week, all of the work on here was done with a spoon tip.
Another
plus point for the more expensive pyrography iron is the size of the
pen. The more expensive ones are about the size of a marker pen and that
gives you much more control than the cheaper version which is like
trying to draw with a turkey drumstick. You will also find that the
decent iron is cooler to hold, whereas the cheap one gets very hot to
the touch in a very short while.
So if you
are thinking of taking up pyrography, getting a decent pyrography iron
is the best way to go. In my next post I will tell you what the second
issue is that I have discovered about pyrography.
Much
of what I have said here can be found by clicking on the pyrography tab
at the top of the page, so please go there if you would like more
information on the subject. And please feel free to ask any questions
about pens or pyrography.
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